Lo reidero heteróclito : la configuración del humor en el cine de Pedro Almodóvar : aspectos discursivos y sociológicos

Dipaola, Esteban Marcos

spa

239 p.

info:eu-repo/semantics/openAccess

Atribución-NoComercial-SinDerivadas 2.0 Genérica (CC BY-NC-ND 2.0)

application/pdf

The thesis will have, as an objective, the purpose to inquire into the different configurations of the effect of Humour in the work of Spaniard filmmaker Pedro Almodóvar, having as a theoretical frame the perspectives from the discoursive universe as well as the sociological ones. For this, we will put into dialogue some theories about Humour with different scenes of each one of the movies made by the director (from the early eighties up to nowadays, which represents four whole decades of production). In the first sentence we have said that the humour is an “effect”, id est, a phenomenon both universal and particular which has the possibility to develop itself in many ways alongside the narration in a film, and which has different consenquences in spectator-narratee considering their cultural and ideological skills in a specific cosmovision. At the end of the thesis, exactly in the concluding remarks, we will postulate a classification which will intend to put order in the diverse visions about the Humour which explain the almodovarian art, always considering the so many style facts which characterize it.

Doctor de la Universidad de Buenos Aires en Ciencias Sociales

Universidad de Buenos Aires. Facultad de Ciencias Sociales