Autor/es
Descripción
ver mas
Colaborador
Lago Martínez, Silvia
Materias
Idioma
spa
Extent
278 p.
Derechos
info:eu-repo/semantics/openAccess
Atribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
Formato
application/pdf
Identificador
Cobertura
ARG
Abstract
In the making of the research, it is noted that the antecedents of the emergence of animal rights movement organizations in Argentina and the ways in which their activists conceive speciesism, are related to the globalization of socio-environmental conflicts and at the same time to a social, cultural and economic context marked by the penetration into the Argentine territory (although not only) of the Internet and digitization.
This thesis deals with the analysis and understanding of the emergence of the collective action in Argentina of the networks of activists and organizations identified with the animal rights movement. The sociodemographic characteristics of animal activists in Argentina are also evidenced in terms of geographical distribution, gender identification, age, educational level and occupation, and their characteristics in relation to the possession and use of digital technologies. However, in order to establish a comprehensive analysis of collective animal action in our country, three organizations that take part in different ways in the Argentine territory in defense of non-human animals were chosen as units of analysis. These organizations are: Asociación Animalista Libera, #SinZoo and Animal Libre.
The relationships that activists and organizations build with digital technologies and the meaning they assign to communication strategies within the set of collective action repertoires deployed are recognized. At the same time, another issue of the thesis focused on knowing the approaches that the actors of animal rights organizations suggest about the speciesist relationship between environment and society, the foundations of the projects that they promote in the country and the specific actions that they put in practice to produce changes in institutionalized speciesism.
The understanding of their collective actions, the articulations between the processes of technological appropriations carried out by activists, and the configuration of the actions and the establishment of multiscale networks of the movement. More over, the relationships that exist among these technologies, the internal organization of the groups and the strategies used, are recognized. At the same time, it deals with the formats that information and communication assume in animalistic interventions, delving into the dimension of the socio-aesthetic of the action, from where relational and communicative activities and productions that use aesthetic resources were identified. These are constituted through the mutual implication between artistic and graphic practices with political action and social relations. By means of these practices, it is recognized that the organizations seek to produce an emotional image that can remove the collective consciousness through a symbolic interpellation. The interventions carried out by these animal rights organizations are observed and analyzed, understanding the type of socio-aesthetic repertoires that work as informative and communicative strategies in their collective actions.
The main objective was to analyze and understand the collective actions produced by the argentine animal right movement.
This thesis deals with the analysis and understanding of the emergence of the collective action in Argentina of the networks of activists and organizations identified with the animal rights movement. The sociodemographic characteristics of animal activists in Argentina are also evidenced in terms of geographical distribution, gender identification, age, educational level and occupation, and their characteristics in relation to the possession and use of digital technologies. However, in order to establish a comprehensive analysis of collective animal action in our country, three organizations that take part in different ways in the Argentine territory in defense of non-human animals were chosen as units of analysis. These organizations are: Asociación Animalista Libera, #SinZoo and Animal Libre.
The relationships that activists and organizations build with digital technologies and the meaning they assign to communication strategies within the set of collective action repertoires deployed are recognized. At the same time, another issue of the thesis focused on knowing the approaches that the actors of animal rights organizations suggest about the speciesist relationship between environment and society, the foundations of the projects that they promote in the country and the specific actions that they put in practice to produce changes in institutionalized speciesism.
The understanding of their collective actions, the articulations between the processes of technological appropriations carried out by activists, and the configuration of the actions and the establishment of multiscale networks of the movement. More over, the relationships that exist among these technologies, the internal organization of the groups and the strategies used, are recognized. At the same time, it deals with the formats that information and communication assume in animalistic interventions, delving into the dimension of the socio-aesthetic of the action, from where relational and communicative activities and productions that use aesthetic resources were identified. These are constituted through the mutual implication between artistic and graphic practices with political action and social relations. By means of these practices, it is recognized that the organizations seek to produce an emotional image that can remove the collective consciousness through a symbolic interpellation. The interventions carried out by these animal rights organizations are observed and analyzed, understanding the type of socio-aesthetic repertoires that work as informative and communicative strategies in their collective actions.
The main objective was to analyze and understand the collective actions produced by the argentine animal right movement.
Título obtenido
Magister de la Universidad de Buenos Aires en Comunicación y Cultura
Institución otorgante
Universidad de Buenos Aires. Facultad de Ciencias Sociales